TheWitchBurntAliveAfteraverylong,butvisuallyarrestinganimatedopeningcreditssequence,LuchinoVisconti(DeathinVenice)directsthefirststory,whichisthelongestofthefive,takingapproximatelyathirdofthefilmsrunninglength.Manganoplaysasuperstaractressandmodelwhotravelstoamountainresort,onlytofindthewell-to-doinhabitantshaveprejudicesandpreconceivednotionsaboutherbasedonherpublicpersona.Thewomenarealljealousandthemenallwanttosleepwithher,butallManganowantsistobeleftalone.Itsamostlysombersatiricalpiece,butstory-wise,itlanguishesinitsmodestideaabitlong,becominginconsequentialtoallbutthosefascinatedbytherealitiesofbeingfamous.CommunitySpiritBologninispieceisntreallyastory.Itsmoreofavisualgag,inashortsegmentthatfeaturesManganoofferingtotakeaninjuredmantoahospital,drivinghimatbreakneckspeedthroughoutthecity,butnotstoppingatlocationswherehemightfindaid.Iwontgiveawaythepunchlinehere,butitsucceedsinbeingamusing,evenifitsthekindofthingthatonlyisinterestingthefirsttimethrough.TheEarthSeenfromtheMoonTheesteemedwriter/director,PierPaoloPasolini(Salo),craftsthemiddlesegment,whichisthemostartisticandmemorableofthefive.ReminiscentinstyletoDonQuixote,arecentlywidowedfatherandhissontravelaroundthecountryinsearchofanewwifeandmother,andafteralongperiod,theydiscovertheliterallyspeechlessMangano.Shebringsjoyintotheirlives,buttheyarepoor,andinordertofindabetterlifeforthemselves,theyconcoctaschemetotrytomakesomequickcash.Thestoryiscontrived,andnotcompletelyinteresting,buttheoutlandishperformances,artwork,andcostumesdoesevokegreatcharmandlikeability.Althoughmute,itsprobablythemostappealingofManganosfiveperformances,andTotoisterrific.TheSicilianFrancoRossidirectsthefourthanshortestpiece,astraight-forwardrevengestorythatcomesandgoesbeforeiteverhasachanceofbecominginteresting.Itsviolent,buteasilytheleastsatisfyingofthefivestories.ANightLikeAnyOtherEastwoodsappearanceisclearlythebiggestattractionhere,whichwasfilmedinbetweentheSergioLeoneDollarstrilogy.Itsanenjoyabledeparturefromhisnormalroles,playingacomedicromanticlead,andheisaffablyfuntowatch.FamedItaliandirector,VittoriodeSica(TheBicycleThief,UmbertoD.)doesamasterfuljobwiththestory,whichperfectlyblendsthemundaneandthefantasyinavisuallysatisfyingway.Thestoryisaboutaboredhousewife(Mangano,ofcourse),whotriesinvaintogetherhusbandtorealizethatheisnotasromanticasheusedtobe.Thesceneisinterspersedwithcomedicromancesequencesrevolvingaroundthecouplespastromanticinterludes,anddreamsofhowtheirlivesshouldbe.如果您喜欢电影盒子(www.hf71.com)分享的《女巫1967》,别忘了推荐给你的好友!
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